خیلی ممنون. جالبند ولی به نظر نمی رسد کار کمال الملک باشد. این کارها کجا منتشر شده اند؟ کدام سایت یا کتاب؟

منبع آنرا نمیدانم. خیلی نقاشی های کمال الملک هنوز نزد صاحبان خصوصی است. این کپی ها را من را یکی از خویشان برایم ماندگار گذاشت و متاسفانه او درگذشته. حیف آنموقع دیسک ها کوچک بودند و این عکسها زیاده فشرده هستند.

If you look at Iranica it referes to his distaste of commissions by Mozzafar e Din Shah to paint such pictures, which could mean he had done some but if you believe below from a paper by L Diba, he actually stopped because the Mozzafar e Din Shah asked him to depict his father!

(why we Iranians and Moslems have to impose Persian terms or Arabic terms on the hapless westerners is beyond me - referring to rushan-fekr below - fikr???! reads fiekr!!):

کمال الملک رو ترور شخصیت نکنید. اول اینکه این سبک  کمال الملک نیست دوم اینکه تنها این دو نقاشی زیبا را با آثار جعلی مقایسه کنید:

http://www.ataeyan.com/www/uploads/2008/12/talarayene.jpg

http://www.parsilog.com/wp-content/uploads/2013/09/falgir_yahoodi.jpg

سوم اینکه گشتم و هیچ سایت خارجی و فارسی چنین نقاشی هایی منتشر نکرده و فقط در سایت ایرونی اپلود شده! برای رو شدن دست نقاش متقلب و دزد هویت فقط ادرس یکی از نقاشی های سکسی رو در گوگل ایمیج سرچ کنید.

لینک کوتاه شده نتیجه گوگل:

http://mcaf.ee/apsr1

Dear Parsi

You are just complaining and you are not shedding any light on the subject. You also completely ignored the fact that I said these pictures had not seen the light of day.  Google searches are not a basis for serious inquiry or proof!  There are several of his paintings which are not in any collections or in his virtual gallery.   The point is totally lost on you that I uploaded these precisely for that reason , namely to get them in the open and authenticate them. 

There is no attempt to discredit him. There are several references to his objection to being coerced into painting pornographic pictures. 

Unless you are an art expert I question your (or for that matter my own ) ability to judge painting styles. It is interesting the two examples you posted above are completely different styles by him. The painting of Gokestan a Palace so typical of his earlier work has very poor perspective yet the second one is completely different with the correct perspective and depth. 

Please don't become so gheirati.